Saves The World

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Since the beginning of their career, Muna has embraced pain as a bedrock of longing, a center of radical truth, a part of growing up, and an inherent factor of marginalized experience - the band's members belong to queer and minority communities, and play for these fellow-travelers above all. The synth on “What I Want” scintillates like a Robyn dance-floor anthem; “Anything But Me,” galloping in 12/8, gives off Shania Twain in eighties neon; “Kind of Girl,” with its soaring, plaintive The Chicks chorus, begs to be sung at max volume with your best friends. McPherson added, "I hope this album helps people connect to each other the way that we, in Muna, have learned to connect to each other. What ultimately keeps us together," Maskin said, "is knowing that someone's going to hear each one of these songs and use it to make a change they need in their life.

Saves the World was therapy on a record, and I was starting to see changes in my life, more moments of joy. For Naomi McPherson, Muna's guitarist and producer, it was a "song for kids to have their first gay kiss to. Finance is provided by PayPal Credit (a trading name of PayPal UK Ltd, Whittaker House, Whittaker Avenue, Richmond-Upon-Thames, Surrey, United Kingdom, TW9 1EH). I can not believe how much this Muna vinyl LP and their first LP are selling here now for both over 400.The synth on "What I Want" scintillates like a Robyn dance-floor anthem; "Anything But Me," galloping in 12/8, gives off Shania Twain in eighties neon; "Kind of Girl," with it's soaring, plaintive The Chicks chorus, begs to be sung at max volume with your best friends. That isn’t to say heartbreak doesn’t feature prominently; the rousing synths of ‘Who’ underpin frustration and rejection, and the Robyn-like ‘Never’ opens with the defining: “I don’t know if I like love, I think I’ve had enough. That people are going to feel a kind of catharsis, even if it's a catharsis that I might never have known myself, because I'm f***ed up. What other band could have stamped the forsaken year of 2021 with spangles and pom-poms - made you sing (and maybe even believe) that "Life's so fun, life's so fun," during what may well have been the most uneasy stretch of your life?

The trio sit atop a rising spring of pure self-acceptance; powerful yet vulnerable and immeasurably relatable. Silk Chiffon," MUNA's instant-classic cult smash, featuring the band's new label head Phoebe Bridgers, hit the grey skies of the pandemic's year-and-a-half mark like a double rainbow. Silk Chiffon," Muna's instant-classic cult smash, featuring the band's new label head Phoebe Bridgers, hit the gray skies of the pandemic's year-and-a-half mark like a double rainbow. With Muna, they did it all by themselves again, with newfound creative assurance and technical ability - in terms of McPherson and Maskin's arrangements and production as well as Gavin's songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace.They'd been dropped by RCA, and there was little in terms of income, no adrenaline to work off of, no live shows with audiences reminding them of the succor their songs provide. They began making music together in college, at USC, and released an early hit in the 2017 single "I Know a Place," a pent-up invocation of LGBTQ sanctuary and transcendence. Lead single and unabashed dancefloor banger ‘Number One Fan’ itself is a reaction to their post-tour comedown, stepping from universal adoration to isolation and finding a way to celebrate the self.