The Playground

Product Information

Married since 1947, Mr. Bradbury and his wife Maggie lived in Los Angeles with their numerous cats. Together, they raised four daughters and had eight grandchildren. Sadly, Maggie passed away in November of 2003. What an interesting web you weave, Shemilt! The synopsis definitely says best when it comes to Big Little Lies feels because those are definitely all there! These parents are the worst. I mean, they don't mean to be but they're so busy dealing with their own issues to really pay attention to their children. Then again, what's really right or wrong - every one has a different parenting technique. I don't even want to blame them *too* much even though there are definitely some that I just wanna slap silly. The children will surprise you as your going on this vile and twisted adventure right along with them. The choices they will have to make, the choices some of them do make, and the consequences of thier actions. The familiarity of their childhood is captured really well. The soft hearted, the hard hearted, the shy and meek, the conformed and the broken. I loved them all and was routing for them no matter their character, after all they are just kids.

What I didn’t like: You’ll need to go into this fully allowing yourself to just believe. Sure the scope/scale of these indoor rooms is insane. And so are the elaborate punishment devices that have been booby-trapped within each one to decimate the participants, but that’s part of the joy of reading something to just read and have fun. If you struggle to suspend belief for any amount of time, you’ll most likely want to stay clear of this one.Underhill stood bemused by what he saw. Now the Playground was an immense iron industry whose sole product was pain, sadism and sorrow. If you watched half an hour there wasn’t a face in the entire enclosure that didn’t wince, cry, redden with anger, pale with fear, one moment or another. Really! Who said childhood was the best time of life? When in reality it was the most terrible, the most merciless era, the barbaric time when there were no police to protect you, only parents preoccupied with themselves and their taller world. No, if he had his way, he touched the cold fence with one hand, they’d nail a new sign here: TORQUEMADA’S GREEN. His mind rebelled. The smell and look of the place were still vivid. That writhing world with its atmosphere of cuts and beaten noses, the air as full o I will say that it was interesting to watch how the mystery played out. I figured it out early, but one character made it especially intriguing! Too bad, more of this character wasn’t featured. Overall, I can't say I would recommend The Playground. It has some interesting moments, but the narrative style combined with vile characters makes this a miss for me.

The characters are well fleshed out, the story makes sense, but deep inside all the gore there is a commentary about parenthood and the ills of the world we live in. Psychologically speaking, this is a study in all that can be done incorrectly to a child. The thing about Playground though that I appreciate about it is the way it doesn't shy away from abuse. That's what this book is about. Abuse. Objectively that is what this is about. When a band of dysfunctional children is suddenly thrust into a diabolical realm of violence, they must grow up instantly to have a chance at survival. Will they find a way to put their differences aside, or be swallowed up by the insidious architecture all around them?He sniffed the cutting odors of salve, raw adhesive, camphor, and pink mercurochrome, so strong it lay bitter on his tongue. An iodine wind blew through the steel fence wires which glinted dully in the grey light of the overcast day. The rushing children were hell cut loose in a vast pinball table, a colliding, and banging, and totaling of hits and misses, thrusts and plungings to a grand and as yet unforeseen total of brutalities. Big Little Lies meets Lord of The Flies in this electrifyingly twisty follow-up to Jane Shemilt’s breakout debut The Daughter. Well, they shove and push like little Gestapos," said Underhill. "It’d be like sending a boy to a flour-mill to be crushed into meal by a couple of two-ton grinders! Every time I think of Jim playing in that barbaric pit, I freeze." Wry, twisting and suspenseful, Michelle Frances tells a story of schoolyard sniping turning into something much uglier in The Playground, for fans of Liane Moriarty and Adele Parks.

I did, and it became one of my top 5 movies ever. The concept, while simple, was utterly brilliant and superbly executed.The story jumps between multiple perspectives and I have to admit I found this a little confusing in the beginning. There are a lot of characters and I couldn’t exactly figure out whose kid belonged to who for the first little bit, but once I did it became a little more clear. This book really kind of made me think about people’s priorities and made me put myself in these character’s shoes. Some actions are a little more forgivable than others, I’m still a little angry with some of these characters. A twisty story with a disturbing ending that still has me reeling. What a wild, crazy ride this book is! If you like Big Little Lies than this is definitely your type of read, but just know, it's a touch darker, but so addicting! Ray Bradbury has never confined his vision to the purely literary. He has been nominated for an Academy Award (for his animated film Icarus Montgolfier Wright), and has won an Emmy Award (for his teleplay of The Halloween Tree). He adapted sixty-five of his stories for television's Ray Bradbury Theater. He was the creative consultant on the United States Pavilion at the 1964 New York World's Fair. In 1982 he created the interior metaphors for the Spaceship Earth display at Epcot Center, Disney World, and later contributed to the conception of the Orbitron space ride at Euro-Disney, France. I will! Those little beasts, you should’ve seen them. Jim’s my son, he is; he’s not yours, remember." He felt the boy’s thin legs about his shoulders, the boy’s delicate fingers rumpling his hair. "I won’t have him butchered." The children have been chosen for a reason. Geraldine feels that the parents are undeserving of the lives they are living and the children they have. Somewhat broken families, the daily life struggles of parenthood, and the product the children are becoming because of those parental choices.

Others who suffered in childhood use their experience to strive to make sure the next generation do not suffer in the same way. Además, el papel de Marshall, tampoco aporta ningún elemento rescate o armonización. Cuando Underhill ha hecho el cambio, Marshall lo caga a palo. No hay "recompensa" por su tan noble acto, aunque suponemos que Marshall también hizo esto por "el bien de su hijo". No hay nada redentor en el autosacrificio en esta historia. Este es un elemento oscuro y deprimente. Marshall dice anteriormente que Underhill reconocerá a los niños que son padres anteriores por la mirada en sus ojos. Esa mirada, según el final de la historia, es quizás una mirada de horror, más que una mirada de madurez. Quizás el resentimiento creado por un autosacrificio que no se aprecia o que no trae paz o satisfacción interior es lo que crea la violencia en el parque de juegos. The Playground features three families that live in the surrounding areas of London. Eve and Eric have three children, Melissa and Paul have a teenage daughter, and Grace and Martin have two children. The three families are brought together because they all have a child who has dyslexia. Eve is a teacher and stay-at-home mom who has decided to start tutoring her oldest daughter and other dyslexic children. Narrated by Eve, Melissa, and Grace, the story is told in disjointed chapters that alternate between the female characters, as well as with small snippets from the children's POV. The structure shifts from detailed concurrent chapters, to disjointed chapters with time gaps and random recollections. The shift in narrative styles was rather jarring. A lot is left out, so the reader only gets to hear about certain aspects of these characters’ lives and misses watching extremely important events play out, including the discovery of an affair. This made it difficult for me to get invested. Also, all of the characters (except some of the children), are loathsome. Some do grow and become a little likable, but they don't grow enough! I wouldn’t have minded this element if other parts of the book had been well-executed. La forma en que Bradbury retrata a Underhill es muy profunda. No parece mentirse a sí mismo. No vive en negación, al menos en cuanto a sus motivos. Reconoce que sus sentimientos sobre el parque de juegos, y sobre su actitud sobreprotectora hacia Jim no son particularmente saludables, pero están motivados por dos cosas:i about lost all interest when a nazi showed up. it has a good premise, and i felt it had the promise of exploring how low-income families are exploited at the hands of the rich. unfortunately, there was no social commentary. the characters were evil just to be evil. as a jewish person, it's uncomfortable to read about a nazi in this light; the forced german accent was just plain strange.